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I participated of the 11th International Lake Velence Symposium, where this time I trimmed the motives of door and window by reed. Crossing the strongly female symbol there is a strait little corridor, where the reed wall leads the gaze till an opeion to the sky. On the mornings in a specific time the Sun shines through this window and paint the reed carpet by light.

There could be more different interpreation of these strong and hardly used symbols, but the title (which is a citation from one of my favourite Hungarian poem: Lőrinc Szabó: The Dreams of the One) could help to clear its meaning.

"Back to the sea, to ourselves, backward" (2017)

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